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Echoes of Resilience: Reclaiming History — gallery entry, Harvey Milk Photo Center Return to exhibitions
Two-person · 2 May — 7 Jun 2025 · San Francisco

Echoes of
Resilience.
Reclaiming History

Harvey Castro · Izzi Valencia Harvey Milk Photo Center, SF Cur. Ann Trinca · Melissa Keesor
01 — On the exhibition

Echoes of Resilience: Reclaiming History presents the work of Bay Area photographers Harvey Castro and Izzi Valencia. Their photography documents the enduring spirit of communities facing climate disasters, cultural preservation, and the dignity of labor often overlooked in mainstream narratives.

This exhibition offers an intimate look into the lives of people overcoming adversity, emphasizing their strength and solidarity. Valencia's broader work focuses on the unification and organization efforts of Maya Mam, Mixteca, Chatino, Wixárica, and Nahua communities; his recent Native Sun Leaves series uses chlorophyll printing on grape leaves to honor Oaxacan agricultural workers in Napa and Sonoma. Castro's contribution, documented below, presents Los Olvidados — communities reshaped by climate-intensified hurricanes in Guatemala — in sublimation on polyester, cyanotype, and structural installation.

02 — Castro · Los Olvidados

Two storms,
one country, one cloth.

Exhibition photography by Melissa Keesor · Harvey Milk Photo Center, San Francisco · 30 May 2025

Two-layer sublimation installation — two distinct images on two polyester substrates: solid matte ground tacked to wall, sheer semi-transparent cloth hanging from ceiling — the images layer as a spatial double exposure
001Two sublimations on polyester · two distinct images · solid matte ground tacked to wall · sheer semi-transparent cloth hanging from ceiling · spatial double exposure
Installation, side view — two-layer sublimation on polyester at corner, showing matte ground fixed to wall and sheer front cloth hanging from ceiling
002Side view · two-layer installation · matte ground tacked to wall · sheer front cloth hanging from ceiling
Women in the highlands — color sublimation on polyester
003Women, the highlands · color sublimation on polyester
Ceremony with fire — color sublimation on polyester, with Tikal pyramid and graves visible behind
004Maya ceremony with fire · color sublimation on polyester · procession-hung
Church and woman with umbrella — color sublimation on polyester
005Church, after the rain · color sublimation on polyester
Ceremony portrait — color sublimation on polyester, room view
006Ceremony portrait · color sublimation on polyester
Tikal pyramid — color sublimation on polyester
007El Gran Jaguar, Tikal · color sublimation on polyester
Sueño Americano — cyanotype textiles strung on three rows of red, white, and blue barbed wire, held between three 2x4 fence stands
008Sueño Americano · cyanotypes on cotton · strung on red, white & blue barbed wire · three 2×4 fence stands · an echo of climate migrants pursuing the American Dream
The Disappeared — red grid of portraits with a white band masking the eyes, sublimation on polyester sateen laid on the floor over an archival inkjet print on polyester tarp
009The Disappeared · sublimation on polyester sateen · laid on the floor over an archival inkjet on polyester tarp · ¿dónde están?
Cyanotype print of the Banco de Guatemala 20 Quetzales note — on manta española, polyester/cotton 73/27 blend, coffee-toned, hand de-threaded, inscribed with a quote from an indigenous leader at a protest in front of the presidential palace, Guatemala City: the 20 quetzal bill depicts the signing of independence from Spain, and the abuelos and the women are absent from that ceremony
010Veinte Quetzales · cyanotype on manta española (poly/cotton 73/27) · coffee-toned · hand de-threaded · ¿dónde están los abuelos? · ¿dónde están las mujeres?
Crumpled cyanotype paper object — small sculptural relic
011Crumpled cyanotype · paper relic · wall-mounted
The landslide — archival inkjet on polyester tarp, held up by cinder blocks representing the material of Queja's homes and the strength of the slide that destroyed them
012The landslide · archival inkjet on polyester tarp · held up by cinder blocks · the material of Queja's homes, the strength of the slide that destroyed the village
03 — Credits

Curatorship
Ann Trinca · Melissa Keesor, Director of Harvey Milk Photo Center

Venue
Harvey Milk Photo Center · San Francisco

Dates
2 May — 7 June 2025

Exhibition photography
Melissa Keesor

For institutions & press
Echoes of Resilience: Reclaiming History — installation documentation, individual works, and press materials available on request.